Same room, same woman. Where you put the lens decides who the audience is.
Each size says something different about the same person.
One neutral face. Change only the next shot, and the audience reads a different feeling into the face.
Keep the camera on one side of the line between two people, and they face each other. Cross it, and the world flips.
Focal length changes how near the world feels; light changes what the face is willing to show.
Draw it first. The board is the contract; each panel becomes a prompt.
Same pipeline, different budgets. Test ideas on the cheap models; spend where the shot needs it.